La memoria como imagen viva: entre el cuerpo, la pintura y la pantalla
La memoria no es un depósito fijo de imágenes del pasado. Es un campo vivo donde cada recuerdo se reconstruye desde el presente. Maurice Halbwachs ya lo formuló con claridad: “recordamos dentro de marcos sociales que funcionan como puntos de referencia compartidos, por eso el recuerdo nunca es puramente individual ni estático, sino una recomposición […]
Photography Between Document and Art: Memory and Technology as Catalysts
For centuries, the question of whether photography belongs to the realm of the document or of art has haunted its history. André Rouillé, in Photography: Between Document and Contemporary Art (2009), makes this clear: from 19th-century police archives to late-20th-century conceptual installations, photography has never been univocal. It has oscillated between evidence and fiction, between […]