Photography Between Document and Art: Memory and Technology as Catalysts
For centuries, the question of whether photography belongs to the realm of the document or of art has haunted its history. André Rouillé, in Photography: Between Document and Contemporary Art (2009), makes this clear: from 19th-century police archives to late-20th-century conceptual installations, photography has never been univocal. It has oscillated between evidence and fiction, between […]